© » KADIST
Hank Willis Thomas
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title. As with many of his works, the artist has taken a found image and manipulated it to draw out and dramatize the formal contrast between the black hands holding white cotton. Cotton, of course is one of the most familiar fabric sources to us, and becomes incredibly soft once processed.
© » KADIST
Hank Willis Thomas
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism. Historically, in countries such as the US and South Africa, the term “boy” was used as a pejorative and racist insult towards men of color, slaves in particular, signifying their alleged subservient status as being less than men. In response, Am I Not A Man And A Brother?
© » KADIST
Hank Willis Thomas
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911. “Bread for all, and Roses, too’—a slogan of the women in the West,” is Oppenheim’s opening line, alluding to the workers’ goal for wages and conditions that would allow them to do more than simply survive. Thomas’ painting includes several black, white, brown, yellow, and red raised fists—clenched and high in the air in the internationally recognized symbol of solidarity, resistance, and unity.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting. Using a found photograph depicting a passionate crowd of African Americans—their attitude suggesting the fervor of a civil-rights era audience— Intentionally Left Blanc reverts in its exposed, “positive” format to an image in which select faces are whitened out and erased, the exact inverse of the same view in its “negative” condition. This dialectic of light and dark re-emerges when we view the same faces again, only this time black and featureless, a scattering of disembodied heads amidst a sea of white.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content. Meaning, therefore, changes depending on one’s perspective—and in the case of Thomas’ installation, only emerges when one knows that there is always something hidden, always more to one of his works than immediately meets the eye. This lenticular print with text shifts as you walk in front of it from its title, “Black Imitates White” to the inverse, “White Imitates Black”(and some other possibilities in between) emphasizing that there are always at least two perspectives to the same scenario, and thereby encouraging us as viewers to consider them all together rather than trying to identify with any one subjectivity.
© » KADIST
Hank Willis Thomas
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s. I am the Greatest presents the famous quote by Mohammad Ali to think about his important presence in the African American community. In dialogue with the painting I am a Man, also in the Kadist collection, this assertion that begins the same way takes the line from the protest poster several steps further.
© » KADIST
Zhang Peili
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
© » KADIST
Anthony Discenza
In Anthony Discenza’s 23-minute audio loop that makes up A Rising Tide Lifts All Boats , a nondescript male voice narrates a series of unlikely pairings: “think Dune meets South Pacific;” “think dubstep meets the Magna Carta;” “think the Food Network meets Igmar Bergman.” Given without inflection or emotion, this recitation uses the structure of a Hollywood elevator pitch to sketch out an unknown project, idea, or structure, conflating and collapsing cultural referents into an implausible mass of contradictions.
© » KADIST
Stephen G. Rhodes
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame. This visual seal refers to the disastrous aftermath of Hurricane Katrina in 2005 in which rescue workers spray painted the doors of the houses they searched giving the date, the team and the number of bodies found. Excerpt (Sealed) (Brown) is a multilayered collage with contradictory imagery—from New Orleans debris to the American eagle and a theater curtain.
© » KADIST
Gao Mingyan
The television monitors utilized in the video installation Come On (2008) ostensibly serve as playback devices for a multi-channel installation of clips from blockbuster films as part of a larger commentary of mass entertainment and its relation to consumer cultures. Arranged in a grid, however, the monitors begin to resemble closed circuit security systems, evoking associations of surveillance and policing. More than just casual documents of the every day, Gao’s video works carry a subversively political charge and force viewers to reconsider their own relationship to media and perception.
© » KADIST
Paloma Contreras Lomas
Drawing & Print (Drawing & Print)
Paloma Contreras Lomas sometimes incorporates large scale drawing into her practice. For Contreras, drawing is a deeply personal and corporeal exercise that she relates to writing and narration. Her charcoal drawing Bugs Bunny Behind a Mesophile Bush features a gigantic hat providing shelter to the simultaneously identifiable and unidentifiable cartoon character hiding behind a wild bus.
© » KADIST
Elisheva Biernoff
Drawing & Print (Drawing & Print)
Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness. Biernoff’s choice of Everett Ruess, Percy Fawcett, and the conceptual artist Bas Jan Ader is particularly telling. On one level, the Last Postcards analogize the nineteenth-century explorer with the contemporary artist who looks for purpose in their work.
© » KADIST
Donna Conlon and Jonathan Harker
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented. The artists used disposable spoons as catapults to shoot thousands of plastic bottle caps at a hole in a concrete platform. The platform was once part of a U. S. military installation in the Panama Canal Zone, and it is now an observation deck in a nature park.
© » KADIST
Yu Honglei
Yu Honglei’s video and mixed media works riff on familiar motifs from the Western art historical canon and reimagine them through a playful but subversive culture jamming of their original meaning. Life (2013), for example, depicts a tiled backdrop of various images and stills associated with the work of American Pop artist Andy Warhol. Digital reproductions of his silkscreens featuring public figures like Elizabeth Taylor, Chairman Mao, and Debbie Harry form an amalgamation of modern art iconography, while repeated images of Warhol himself serve as a constant reminder that even after his death, the artist is still decidedly present in our art historical consciousness.
© » KADIST
Laurent Montaron
This film refers directly and fictionally to one of the first media dramas: the burning of the Zeppelin aircraft LZ 129 Hindenburg as it landed in New York in 1937. The power of these images, which were widely diffused in the press, had a profound haunting impact on people’s consciousness. This mode of transport – both futuristic and obsolete – crystallizes a collective imaginary which was fed by cinematic, literary and mythological fiction as Barthes would put it.
© » KADIST
Marlon de Azambuja
Following a series of related works, Brutalismo Americano by Marlon de Azambuja is a site-specific sculptural installation produced during the artist’s residency at Kadist, San Francisco in 2017. Treating the city as an object of attention, de Azambuja collected building materials from the surrounding area over a period of ten days to conceive of an architecture in situ. The work is not meant to mimic any of San Francisco’s own architecture, or to be a maquette or portrait of the cityscape, but instead a singular, constructive gesture.
© » KADIST
Nicolás Grum
El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present. Through the episodes he chose to depict, the artist focused on historical narratives, the way the story is told, and the supposed irrefutability of historical facts. Museo Futuro (“Future Museum”) stands within a tradition of artists who re-read history and offer their interpretation of it through the distopic lens of the museum display.
© » KADIST
Nicolás Grum
El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present. Through the episodes he chose to depict, the artist focused on historical narratives, the way the story is told, and the supposed irrefutability of historical facts. Museo Futuro (“Future Museum”) stands within a tradition of artists who re-read history and offer their interpretation of it through the distopic lens of the museum display.
© » KADIST
Ed Ruscha
In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.
© » KADIST
Mohamed Bourouissa
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit. Remotely driven footage of daily life in prison, the banality of a sink, of a plant or a plate of pasta are offtset against scenes of life outside, in the streets of Paris, a night of love or seascapes. The dialogue between the inmate and the artist occurs by text messages and captures this exceptional situation of exchange, sharing et perhaps dependence.
© » KADIST
Bruce Conner
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience. The video presents us with a reinterpretation of footage from his unreleased avant-garde film, Easter Morning Raga , from 1966. In contrast to his more famous pieces like A Movie (1958) and Crossroads (1976) which are juxtapositions of fragments from newsreels, soft-core pornography, and B movies, the images in EASTER MORNING serve as a reinterpretation of footage.
© » KADIST
General Idea
AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s. This visual detournement of Indiana’s sculpture into the form of a ring is an indictment of pop art’s apolitical nature, as well as of its increasingly commodified status. General Idea instead proposes that art’s expansive platform for messaging be used to spread awareness and create accountability for political negligence of the AIDS epidemic.
© » KADIST
David Horvitz
On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan. He held her up in the morning light as the car drove down Park Avenue, blocks away from the Museum of Modern Art, where Zanna Gilbert, the mother, was a fellow. After arriving at the hospital, Horvitz tweeted a photo and later e-mailed his friends and family with additional images.
© » KADIST
Mohamed Bourouissa
Dave is part of Mohamed Bourouissa’s project Horse Day , which stemmed from a residency the artist conducted in Philadelphia in 2014. There, he discovered the activities of the Fletcher Street Riding Club, a historical stable and training program built by and aimed at young African Americans. Weaving together two predominant symbols of American lifestyle and culture—the cowboy and the car—Bourouissa collaborated with local riders and artists to organize a contest celebrating the best adorned horse, in the manner of car tuning competitions.
© » KADIST
Mohamed Bourouissa
After seeing Martha Camarillo’s photographs of horsemen in Strawberry Mansion -an impoverished Philadelphia neighbourhood- Mohamed Bourouissa travelled to see the urban stables run by African American men. For eight months, he observed, drew and photographed this community. As the community and Bourouissa became closer throughout his stay, the artist suggested that they organize a competition, called “Horse Day”, in which artists from other neighborhoods would be invited to create costumes for the horses.
© » KADIST
Guan Xiao
David is a five-minute pseudo music video that features an upbeat melodic soundtrack with a duet by the artist Guan Xiao and frequent collaborator (and KADIST collection) artist Yu Honglei. Three screens display a collection of home videos filmed and uploaded by tourists at the Galleria dell’Accademia in Florence capturing Michelangelo’s eponymous masterpiece. The mass popularity and commodification of this artwork is further exaggerated with the numerous forms that we encounter and consume the image or likeness of the sculpture in our daily lives.
© » KADIST
Mohamed Bourouissa
Drawing & Print (Drawing & Print)
In his photographic series Périphérique (2005–2008), Mohamed Bourouissa used the composition of classical paintings to stage the portrait of friends and young people in the banlieue s (suburbs). He states “by deconstructing the clichés surrounding this subject, I deal with the problematic power struggle and its mechanics.” This series follows various themes explored throughout the work of Bourouissa. For Temps Morts, his first film, he depicted a yearlong series of mobile phone exchanges with someone in prison.
© » KADIST
Mohamed Bourouissa
Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison. Mohamed Bourouissa directs the scenes to be reconstructed inside the prison from a distance. With sketches and instructions, he indicates in detail the sort of shots he would like to receive.
Hank Willis Thomas
- location: New York, New York
- year born: 1976
- gender: male
- nationality: American
- home town: Plainfield, New Jersey
Mohamed Bourouissa
Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris...
Xyza Cruz Bacani
Xyza Cruz Bacani is a Filipina author and photographer who uses documentary-style photography to call attention to less visible, erased, and under-reported global events...
Danielle Dean
Danielle Dean creates videos that use appropriated language from archives of advertisements, political speeches, newscasts, and pop culture to create dialogues to investigate capitalism, post-colonialism, and patriarchy...
Wong Wai Yin
Wong Wai Yin is an interdisciplinary artist who experiments with a variety of media ranging from painting, sculpture, collage, performance, video, installations and photography...
Takeshi Murata
Underlining the temporality of nostalgia, memory, and narratives crafted through cinematic pop culture, the American artist Takeshi Murata has constructed a body of animated works that explore the lifespan of moving images and their role in the shaping of shared cultural histories...
Shooshie Sulaiman
Shooshie Sulaiman is one of the leading creative practitioners in Southeast Asia...
Carter Mull
Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works...
Wang Tuo
Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...
Yu Honglei
Yu Honglei produces video and mixed media works that frequently take everyday objects as their starting points...
Pierre Leguillon
Pierre Leguillon is an artist who has developed projects as a curator and critic since the beginning of the 1990s, by creating a single page review, ‘Sommaire’ (35 issues between 1991 and 1996), then by collaborating to ‘Journal des Arts’, and ‘Art press’ (Special issue « Oublier l’exposition » in 2000), then to ‘Purple’ (column « Calme plat » about printed objects from 2002 to 2004)...
David Horvitz
Although the practice plays a central role in the work of David Horvitz, his work is at the opposite of fine art objects...
Tenzing Rigdol
Tenzing Rigdol is a contemporary Tibetan artist whose work ranges from painting, sculpture, drawing and collage, to digital, video installation, performance art and site-specific pieces...
Alexandre da Cunha
- location: London, United Kingdom
- year born: 1969
- gender: male
- nationality: Brazilian
- home town: Rio de Janeiro, Brazil
Zhang Peili
- location: Hangzhou, China
- year born: 1957
- gender: male
- nationality: Chinese
- home town: Hangzhou, China
Fabien Giraud & Raphael Siboni
The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...
A.K. Burns
A.K...
Hit Man Gurung
Hit Man Gurung was born in Lamjung, Nepal and is currently based in Kathmandu...
Guan Xiao
Guan Xiao is known for her videos composed primarily of found images and videos and her sculptures that explore the logic by which things relate to one another...
Liu Chuang
Known for engaging socio-economic matters as they relate to urban realities, Liu Chuang proposes different understandings of social systems underlying the everyday...
Ahmad Fuad Osman
Ahmad Fuad Osman is of a generation that came of age in a Malay world whose artists were eager to speak about socio-political issues on terms that broadened questions of nationhood, ethnicity, faith, and historical fact, doubtful of the grand narrative that had been propounded since the race riots of the late 1960s...
Haig Aivazian
Haig Aivazian is an artist and a writer, born in 1980 in Beirut and currently based there...
Huang Xiaopeng
Huang Xiaopeng is a video and installation artist...
Elena Tejada-Herrera
Elena Tejada-Herrera is a key figure at the intersection of feminist, performance, and technological art in Peru...
Bruce Conner
- location: San Francisco, California
- year born: 1933
- gender: male
- nationality: American
- home town: McPherson, Kansas
Jennifer Bornstein
- location: United States
- year born: 1970
- gender: male
- nationality: American
- home town: Seattle, Washington
Ed Ruscha
- location: Los Angeles, California
- year born: 1937
- gender: male
- nationality: American
- home town: Omaha, Nebraska
Emmanuel van der Auwera
Emmanuel van der Auwera is interested in conspiracy theories, surveillance photography and its ubiquity, giving texture to major events that are frequently smoothed out by media reporting...
Nguyen Trinh Thi
Nguyen Trinh Thi is a moving image pioneer, not only within the landscape of contemporary art in Vietnam, but also broader South East Asia...
© » ARTNEWS
this quarter (02/12/2024)
Review: “Unbound: Performance as Rupture” Julia Stoschek, Berlin...
© » ARTSY
this quarter (02/12/2024)
Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due | Artsy Skip to Main Content Advertisement Art Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due Annabel Keenan Feb 12, 2024 9:44AM Portrait of Sarah Grilo by Lisl Steiner...
© » ARTSJOURNAL
this quarter (02/11/2024)
Bite me! How Apple’s download chart became a new battleground for pop – and politics | Music | The Guardian Skip to main content Skip to navigation Skip to navigation Megan Thee Stallion and Nicki Minaj: fans have rallied behind them on the Apple Music store...
© » SLASH PARIS
about 4 months ago (01/08/2024)
Face au visage — Berthet – Aittouarès Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Face au visage — Berthet – Aittouarès Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Face au visage Exhibition Painting, sculpture, mixed media Closing Face au visage Ends in 6 days: January 11 → February 17, 2024 From January 11 to February 17, the Galerie is staging an exhibition focusing on portraiture and the face, in conjunction with the publication of Itzhak Goldberg’s new book, Face au visage 1 , edited by Citadelles et Mazenod...
© » AESTHETICA
about 4 months ago (12/18/2023)
Aesthetica Magazine - Mixed-Media in Focus: 5 Group Exhibitions for 2024 Mixed-Media in Focus: 5 Group Exhibitions for 2024 Textiles...
© » ARTSJOURNAL
about 4 months ago (12/17/2023)
VHS makes a comeback with ‘tapeheads’ fueling a retro analog revival - The Washington Post With VHS and video stores, ‘tapeheads’ are fueling an analog revival By Reis Thebault December 17, 2023 at 6:00 a.m...
© » OBSERVER
about 4 months ago (12/14/2023)
Why Inflatable Art Is Blowing Up in the Art Scene | Observer A Designs in Air installation in the Philadelphia Navy Yard...
© » MODERN MET ART
about 4 months ago (12/12/2023)
LaToya Hobbs' Powerful Mixed-Media Art on Show in Nashville Home / Art Powerful Mixed-Media Carvings Speak to the Experiences of Black Womanhood By Jessica Stewart on December 12, 2023 LaToya Hobbs...
© » DAZED DIGITAL
about 4 months ago (12/12/2023)
The year in LGBTQ+ politics: is transphobia in its flop era? | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Life & Culture Dazed Review 2023 After a series of defeats and frustrations for the anti-trans movement, there’s hope that it may finally be running out of steam Text James Greig 12 December 2023 Trans Pride in London 2023 40 For the most part, 2023 has been a terrible year for anti-LGBTQ+ politics...
© » HYPERALLERGIC
about 5 months ago (12/06/2023)
Faux Apology Lampoons Pro-Israel Manhattan Art Dealers Skip to content The imitation apology banners appeared on the front windows of Lévy Gorvy Dayan gallery's New York location early this morning...
© » ARTEFUSE
about 5 months ago (12/04/2023)
Houston, Texas “Artists play a pivotal role in shaping societal narratives...
© » MODERN MET ART
about 5 months ago (12/02/2023)
Stan Squirewell's Mixed-Media Collages Give a Fresh Perspective on the Past Home / Art Vibrant Mixed-Media Collages Give a Fresh Perspective on African American Ancestry By Jessica Stewart on December 2, 2023 “Mrs...
© » PAINTERS' TABLE
about 6 months ago (10/16/2023)
Art review: Larry Groff at Prince Street Gallery | Painters' Table Images only Larry Groff, Will be Wild, 2022, oil on linen, 36 × 52 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Nap Dream, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Gracias a la vida, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, My French Defense, 2023, oil on linen mounted on panel, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Unbroken Circle, 2023, oil on linen, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Circling the Square, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff: Flipped Prince Street Gallery, New York October 3 – 28, 2023 A lot is happening in Larry’s Groff’s recent paintings...
© » ART21
about 7 months ago (09/28/2023)
Press Release: Art21 Welcomes Dynamic New Board Members from Art, Film, Media, Non-Profit Leadership and Law | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 7:29 Add to watchlist Interrupting the Broadcast Paul Pfeiffer Extended Play October 4, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
© » ARTS EQUATOR
about 8 months ago (09/05/2023)
Indonesia: Artistic Freedom Report | ArtsEquator Skip to content The key findings and analysis of artistic freedom in Indonesia from the Southeast Asian Arts Censorship Database Project, 2010 - 2022...
© » LARRY'S LIST
about 14 months ago (03/01/2023)
Walter Ulloa, Collector and Media Executive Who Supported Latinx Communities and Artists, Has Died at 74 - via ARTnews...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Private art collections are notoriously secretive...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The second episode of the Shattering the Glass Ceiling mini-podcast series features art collector and Meredith Corp...
© » ARTS EQUATOR
about 33 months ago (08/12/2021)
Dialogues with Mountains: Preserving indigenous culture in Taromak and Kelecung | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kelecung, Bali...
© » ARTS EQUATOR
about 35 months ago (06/09/2021)
Expand, Exchange, and Beyond: A reflection of the Asian Arts Media Roundtable 2021 at SIFA | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints June 9, 2021 By Gladhys Elliona It was a laid-back day at the end of April, when I got the email from ArtsEquator informing me that I had gotten into the Asian Arts Media Roundtable (AAMR) at the Singapore International Festival of Arts 2021...
© » ARTS EQUATOR
about 38 months ago (03/05/2021)
Mapping Asian Arts Media: Key Findings (Singapore, Malaysia and Cambodia) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 5, 2021 By Kathy Rowland What is the state of the arts media landscape in Southeast Asia? Based on global trends, the answer seemed evident: the landscape has shrunk, and its impact on the arts ecosystem is a growing concern amongst arts writers, artists and policy makers...
© » ARTS EQUATOR
about 45 months ago (08/06/2020)
Weekly Southeast Asia Radar: Hikayat Raja Babi; new media and freedom | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Varuth Hirunyatheb August 6, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » HIGH FRUCTOSE
about 52 months ago (01/22/2020)
The illustrations and personal work of artist Jay Torres have a dark surrealist edge...
© » HIGH FRUCTOSE
about 52 months ago (01/03/2020)
Artfucker’s recent body of work, displayed in the exhibition “Smoke Show,” meditates on just how accustomed viewers are to the omnipresence of marketing efforts...
© » ARTS EQUATOR
about 58 months ago (07/11/2019)
Podcast 61: The Media Landscape in Thailand | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asian Arts Media Roundtable July 11, 2019 Duration: 20 min In our latest podcast, Thai theatre critic Amitha Amranand gives a comprehensive overview of the media landscape in Thailand, discussing the impact of the political and legal system on the arts and the paradoxical freedom that arts journalists have in the country...
© » ARTS EQUATOR
about 59 months ago (07/04/2019)
Podcast 60: The Media Landscape in the Philippines | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Asian Arts Media Roundtable July 4, 2019 Duration: 19 min In our latest podcast, art critic Pristine de Leon gives a comprehensive overview of the media landscape in the Philippines, discussing challenges to the practice and the new platforms that are paving the way for creative, incisive and timely forms of arts criticism...
© » ARTS EQUATOR
about 59 months ago (06/12/2019)
Asian Arts Media Roundtable 2019: When Asian Critics Meet | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Asian Arts Media Roundtable June 12, 2019 By Akanksha Raja and Ke Weiliang (1,444 words, 6-minute read) The inaugural Asian Arts Media Roundtable (AAMR) took place between 24 to 25 May 2019 at LASALLE College of the Arts, Singapore...
© » ARTS EQUATOR
about 68 months ago (10/02/2018)
nor Reclaims the Transgender Experience from Mainstream Media (via Frieze) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 2, 2018 The walls of nor’s exhibition, ‘In Love’, are painted millennial pink...
© » ARTS EQUATOR
about 70 months ago (08/01/2018)
Mass inclusion: thoughts on Teo Yeo Yenn’s ‘This is what Inequality looks like’ (via Dumbriyani) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar August 1, 2018 In recent days, I have been absorbed heavily into a book my wife brought home from Kinokuniya...
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1970-1979
Jeffrey Vallance
1978Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel...
-
1990-1999
General Idea
1993AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s...
Jennifer Bornstein
1994Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...
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2000-2009
Alexandre da Cunha
2005Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...
Shooshie Sulaiman
Drawing & Print
2005(Drawing & Print) Shooshie Sulaiman’s pictures of unidentified figures initially appear alien and even monstrous: rendered hairless in unusual and even sickly colors, they stand in stark contrast to the aesthetic ideals of conventional portraiture...
Shooshie Sulaiman
2005Shooshie Sulaiman’s pictures of unidentified figures initially appear alien and even monstrous: rendered hairless in unusual and even sickly colors, they stand in stark contrast to the aesthetic ideals of conventional portraiture...
Laurent Montaron
2006This film refers directly and fictionally to one of the first media dramas: the burning of the Zeppelin aircraft LZ 129 Hindenburg as it landed in New York in 1937...
Christoph Draeger
2006In his performative action Subterranean Doomsday Vendor , Draeger positions himself in the subway system of Mexico City, as part of the common occurrence of bootleg media vendors...
Ahmad Fuad Osman
2007Recollections of Long Lost Memories by Ahmad Fuad Osman is a series of 71 black and white sepia-toned archival photographs that chart, with nostalgia, the social encounters between hierarchies of life in the Malay world...
Zhang Peili
2008In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Gao Mingyan
2008The television monitors utilized in the video installation Come On (2008) ostensibly serve as playback devices for a multi-channel installation of clips from blockbuster films as part of a larger commentary of mass entertainment and its relation to consumer cultures...
Bruce Conner
2008Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Mohamed Bourouissa
2008Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison...
Pierre Leguillon
2008End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...
Elisheva Biernoff
Drawing & Print
2009(Drawing & Print) Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness...
Mohamed Bourouissa
2009The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit...
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2010-2019
Stephen G. Rhodes
2010For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
Takeshi Murata
2010If one had been guessing at Takeshi Murata’s criticism of American consumerist culture up until watching Infinite Doors , it would be solidified after hearing the announcer from The Price is Right squawk prizes one after the next...
The Propeller Group and Superflex
2010Fade In (the whole title of the film is actually the entire five page script) is a collaboration with the Danish artist collective Superflex (group of freelance artist–designer–activists committed to social and economic change, founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen)...
Gabriel Kuri
2010Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Etel Adnan
2010Adnan’s paintings are simple images with bold contrasting colors and rich textures...
Huang Xiaopeng
2011Four knives appearing as if thrown at the wall to alleviate frustration and boredom, form rhythmic shadows and markings of time above a translated phrase boldly printed in simplified Chinese and English...
Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Hank Willis Thomas
2012Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Hank Willis Thomas
2012Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Anthony Discenza
2012In Anthony Discenza’s 23-minute audio loop that makes up A Rising Tide Lifts All Boats , a nondescript male voice narrates a series of unlikely pairings: “think Dune meets South Pacific;” “think dubstep meets the Magna Carta;” “think the Food Network meets Igmar Bergman.” Given without inflection or emotion, this recitation uses the structure of a Hollywood elevator pitch to sketch out an unknown project, idea, or structure, conflating and collapsing cultural referents into an implausible mass of contradictions....
Donna Conlon and Jonathan Harker
2012In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
James T. Hong
2012Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Danielle Dean
2012No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...
Köken Ergun
2012The Battle of Karbala was a military engagement that took place on 10 Muharram, 61 AH (October 10 th , 680) in Karbala, situated in present day Iraq, when Hussein, the grandson of the prophet Muhammad, was killed...
Hank Willis Thomas
2013The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
Yu Honglei
2013Yu Honglei’s video and mixed media works riff on familiar motifs from the Western art historical canon and reimagine them through a playful but subversive culture jamming of their original meaning...
Mohamed Bourouissa
2013After seeing Martha Camarillo’s photographs of horsemen in Strawberry Mansion -an impoverished Philadelphia neighbourhood- Mohamed Bourouissa travelled to see the urban stables run by African American men...
Takeshi Murata
2013Takeshi Murata developed an interest in space inspired by his architect parents...
Regina José Galindo
2013In 2012, former Guatemalan President José Efran Ros Montt was charged with genocide and crimes against humanity; Regina José Galindo’s video Tierra is a chilling reimagining of the atrocities recounted during his trial...
James Collins
2013These two large format untitled paintings by James Collins feature the artist’s hallmark technique, which transforms abstraction into an optical illusion that creates dimension, space, and mass...
Haig Aivazian
Drawing & Print
2013(Drawing & Print) This work is part of an ongoing project that looks at international sports competitions as a revealing element of nationalistic aspirations which present contradictions...
Carter Mull
2013Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
Carter Mull
2013Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
Hank Willis Thomas
2014South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Hank Willis Thomas
Drawing & Print
2014(Drawing & Print) Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Nicolás Grum
2014El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
Nicolás Grum
2014El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
Zai Kuning
Drawing & Print
2014(Drawing & Print) Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
Miguel Angel Ríos
2014For Piedras Blancas , arguably his most ambitious and visually arresting video to date, Miguel Angel Ríos made 3,000 “piedras” out of a concrete/stone composite...
Carlos Fernández
2014Part of the exhibition PIÑA MATRIZ (2014) at Despacio Art, this untitled work by Carlos Fernández is a wood panel (formerly a section of a wooden table top) that bears the residue of insects interacting with fermented pineapple...
Liu Chuang
2014Categorized as low-level literature, a “Love Stories” book is a romantic popular fiction of proletariat China, read mainly by teenagers, students, and young workers...
Xyza Cruz Bacani
2014Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Teppei Kaneuji
2014In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing...
Xyza Cruz Bacani
2014Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Xyza Cruz Bacani
2014Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Xyza Cruz Bacani
2014Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Xyza Cruz Bacani
2014Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Fabien Giraud & Raphael Siboni
2015-In which predicting its past it lives working and dies fighting- Fifth episode of The Unmanned , “La Mémoire de Masse” unfolds during the second Canuts revolts in Lyon in 1834...
Alejandro Almanza Pereda
2015This still life falls apart, or rather floats apart as the composition is proved unstable and constantly morphing...
Danielle Dean
2015Hexafluorosilicic acid is a type of sodium fluoride waste product that can be found in a large amount of widely available products such as cleaning fluids, toothpaste, rat poison, and drinking water...
Beatriz Santiago Muñoz
2015Marché Salomon by Beatriz Santiago Muñoz depicts two meat vendors, a young man and woman, chatting in Marché Salomon, a busy Port-au-Prince market...
biarritzzz
2015biarritzzz is interested in how the development of the internet, and experimentation in the virtual world happens simultaneously with the experimentation in the material world of the human species; and how these developments reflect the precariousness of life within neoliberalism...
Barbad Golshiri
2015Time they stopped (Forouhars’ house, Tehran) depicts the trace of a recently stolen wall clock...
A.K. Burns
2016In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious...
Joaquín Segura
2016Pyre , an installation by Mexico City-based artist Joaquín Segura, addresses corruption, impunity, and the role that failed governments play in the normalization of violence...
Danielle Dean
2016In 2003, Nike released a pair of red and black sneakers (the Dunk Low Pro SB ) that were marketed as “vampire” sneakers...
Marlon de Azambuja
2017Following a series of related works, Brutalismo Americano by Marlon de Azambuja is a site-specific sculptural installation produced during the artist’s residency at Kadist, San Francisco in 2017...
Mohamed Bourouissa
Drawing & Print
2017(Drawing & Print) In his photographic series Périphérique (2005–2008), Mohamed Bourouissa used the composition of classical paintings to stage the portrait of friends and young people in the banlieue s (suburbs)...
Daniel Boyd
2017Daniel Boyd’s work WTEIA3 is part of a series of paintings that reference the stick charts used by indigenous communities on the Marshall Islands...
Danielle Dean
2017In True Red Ruin (Elmina Castle) , Danielle Dean uses archival documents to re-imagine colonial history from the 1400s, while also referencing her own personal history...
Jibade-Khalil Huffman
2017Jibade-Khalil Huffman’s work brings together spoken and written language, photography, vintage television and computer animation to pay homage to African-American popular culture...
Margo Wolowiec
2017Imagine How Many by Margo Wolowiec is a woven polyester depiction of blurred text and floral images found on social media, distorted beyond complete recognition...
Mohamed Bourouissa
2018Dave is part of Mohamed Bourouissa’s project Horse Day , which stemmed from a residency the artist conducted in Philadelphia in 2014...
Awol Erizku
2018Awol Erizku’s image Origin of Afro-Esotericism has compositional force and a rhythmic use of full-blast color...
Zhang Zhenyu
2018In DUST 171217 Zhang Zhenyu uses fragments of dust collected across the city, and then creates dark abstract paintings, repetitively gluing the material to the canvas, applying up to 30 or 100 layers and sanding until he arrives at a smooth surface...
Mélanie Matranga
2018My Shape (2018) is the final work of the exhibition “Sorry”, taking the form of a Levi’s denim jacket pattern, expanded three or four times larger than its original shape...
Andrew Ekins
2018Butter Mountain is part of an ongoing series of works that combines a sense of painterly mass and substance with sculptural language to examine the synergy between a topographical landscape and a landscape of the human condition...
Emmanuel van der Auwera
2019Emmanuel van der Auwera visited Miami at the end of 2017 and was working on a project relating to school shootings...
Elena Tejada-Herrera
2019Las Bambas by Elena Tejada-Herrera takes the name of a copper mine in the Andean department of Apurímac, Peru...
Tenzing Rigdol
2019Unhealed by Tenzing Rigdol is a photograph of the artist’s back tattooed with a map of Tibet with the dates of important political events...
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2020-2029
Paloma Contreras Lomas
Drawing & Print
2020(Drawing & Print) Paloma Contreras Lomas sometimes incorporates large scale drawing into her practice...
David Horvitz
2021On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan...
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Nguyen Trinh Thi
2021The essay film How to Improve the World by Nguyen Trinh Thi takes us into an indigenous village of the Jrai people in the Central Highlands of Vietnam, in Gia Lai province...
